Art Update

I've been trying to work on my painting skills. I'll be posting more frequently as a test to myself.

Guinea Pigs are a coming!

A silly portrait of me.

I’m working on making some guinea pig merchandise, such as watercolor drawings and necklaces in the near future.

Boxer

I've been inspired by Rachel Elm as of late. Yes, I'm on tumblr too. I post sometimes more fanart over there for peculiar things.

Jason Wu Starry Night dress

When I saw this Jason Wu dress from the Spring 2013 collection, I just had to draw it. I’m not the most fashion forward person, but I really liked how this dress evoked a starry sky.

Hopefully, I’m improving on my Photoshop painting skills!

That one walk cycle in Ponyo....

Author's note:
Before I nitpicking this one walk, I looked up the definition of nitpick. It is to be critical of inconsequential details. I feel this walk may only bother me. Ponyo is a beautiful movie that I truly do love. I understand Studio Ghibli has to work with a deadline and delegate shots as most important to least important. Also, I am dust compared to Ghibli's talented workers.

Ponyo or Ponyo on the Cliff is loosely based off The Little Mermaid by Hans Christian Anderson. A human boy named Sōsuke finds a goldfish/human named Ponyo. She becomes personally attached to the little boy and uses magic to become human. Ponyo is a film I highly suggest watching at a theater. Please excuse the use of low quality gifs. I made these gifs to just convey the movement.

I watched this movie in 2009 when it came out in America.When you watch a movie, you are sort of in a trance. This one walk cycle took me out of the movie. I thought it was a bit strange this one walk cycle.

Sōsuke's Mom (Lisa) just bought a lot of groceries.

I have no problem with Sōsuke's walk. You can tell he is a young boy trying to catch up with his Mom while minding his ice cream. But, his Mom, Lisa, was the problem for me. Lisa is a powerful woman and seems to have huge strength. I have a feeling the animator wanted to show this but went a bit too far. I think if her stride was a foot length closer, it wouldn't give off this awkward feeling almost like she could fall over. I know such a slight fix seems like an unnecessary complaint. It just stands out when there are other carefully choreographed moments in this film.

The animator's decisions in this scene are amazing.

 I smile at the scene of Sōsuke being mindful while exiting the car. He slides out feet first and nudges the door with his elbow. When he walks away, his eyes are fixated on the bucket. I could definitely tell the animator was observant at the choices the character would make.

This is another example of a carefully choreographed scene. He shuffles his feet to prepare to enter the gap in the gate. His hair even brushes up against the background. You wouldn't believe how many movies don't easily line up the animation with the background or objects that characters are holding.

What I look like when I'm carrying a mug of hot cocoa.

The last example is looking at a walk cycle that works. Sōsuke still has a powerful stride that is similar to his Mom with the grocery bags. However, the distance between the stride is much more reasonable.

I would love to hear what other people think about Lisa's walk cycle and the other scenes mentioned in this post.

My next article will probably regard fun stuff I noticed while framing through Princess Mononoke.
I hope everyone has a Happy New Year!  

Stuff on my mind

I've been thinking about boosting my old blog.......yet again. I don't want to just wait until I have new art to post.

I have been mulling over whether to start posting about certain parts in movies I find interesting that others may not notice. I think it is very surprising and fun that a lot of my page views for this blog came from my Howl's Moving Castle analysis entry. Thank you to everyone who contributed to the comment section of that entry.

My next post will be acting and walking in two Miyazaki films, Ponyo and Princess Mononoke. I have to figure out to make gifs or just post multiple screenshots to further my point. This should be an adventure!

In other news...

I made a munny for The Plastic Experience at Next Gallery in Denver. The munny "They are out there." was decorated Woodland Scenics foliage, turf, and gravel. I made the house out of mat board. I wanted create a lonely abandoned house for the head, and crop circles for the body. Are the aliens partying in the little blue house? The world may never know.

Making of Sheep Days

I finally moved into a year long commitment with Burbank this summer. Four years at CalArts have move by so quickly. It seems just like yesterday when I was a nervous second time college freshman.

I wanted to share some pictures during the making of Sheep Days. The idea of a sewn film actually came from this animation of a running dog by Aubrey Longley-Cook, and my recent obsession over tambour beading. I did an initial test in Eric Dyer's Alternative animation class. It was a jumping sheep sewn on pillowcases. You can see some of the tests at the end of my stop-motion reel.

I mainly thought of only doing sewn animation as a test and not for my final film. My sheep test was such a big hit with faculty and peers that I was persuaded to give it a shot.
I originally planned a different story that was more epic and involved a wolf. Later, it was paired down to what you see now, the troubles of being a sewn sheep.

Each frame in my film was hand-sewn. I animated on paper first, then traced each frame on green fabric. The green fabric acted like a green screen for composting later.

Here is my desk during crunch time. It was not a pretty sight.

I used embroidery hoops to help keep the thread taut.

Before shooting, I ironed out the fabric to flatten the thread and reduce wrinkles that would mess up the green screen.

Sheep are getting run over everywhere!

I shot digital stills using the Oxberry and Dragon, which was a long life dream of mine. 

Then I composited the images in After Effects, which was actually the most stressful part for me.
I really enjoyed hand-sewn animation. It took me about an hour for each frame. My friend later told me that all of the textures in my film really took advantage of HD. I'm extremely glad that my film had a different texture. I have been striving for such a feeling for a long time. I also want to thank again my lovely hand model in the film Sara Quach and Amanda Candler for helping me out with sewing some scenes.

I hope you enjoy my film. It was a lot of fun to make!

Sheep Days

This is my fourth year film as a CalArts Character Animation student. The film is about the troubled life of a hand sewn sheep.

I was inspired by the dog embroidery animation of Aubrey-Long Cook. First, I animated on paper then traced the image on to fabric. I embroidered each frame on green fabric to be keyed out later. The footage was shot with Dragon on an Oxberry. Then, I composited the fabric backgrounds with the animation using After Effects.

I hope you enjoy the film. It was a lot of fun to make.

I'll post making of pictures soon.

My Stop-motion Reel 2012

Please visit my portfolio blog too!

http://eyu-animation.blogspot.com/

Downton Abbey...plus gallery show

I participated in the Main Gallery Show this year. My friends decided to have a fanart wall so..... what better fanart than 1900's English drama.

Yes Downton Abbey! I really love the scandalous nature of this show. 

A server's coat has a tear in it? DRAMA!

Mr. Crawley won't let me put on his cuff links? DRAMA!

Most of this tribute art is for the first season. No spoilers for the second season. 

Mary, Edith, and Sybil

Carson the Butler

Mrs. Patmore and the very clueless Daisy 

Let Moseley dress you Matthew!

The infamous outfit...I swear Branson popped out of nowhere.

In addition to the fanart, I did artwork for my feelings towards winter. I kept the deckled edge for the last image for fun.

I did a little tribute to my guinea pig as well. He passed last November. I miss the little guy very much.

I hope you enjoy my art dump. I'm posting some of my stop motion test on Vimeo. You can tell I'm gearing up for portfolio day hehe.

Derp

I've noticed many of my fellow classmates are posting work up like crazy every week. I feel I need to do the same. Maybe, this will help build up confidence in the coming months.

Above is a Hansel and Gretel sketch for my Visual Development class.

I'm going to scan in soon my Downton Abbey fanart from the gallery show this year. It was really popular, but I'm not sure many would get it unless you're a fan of the show.

Here is a sketch of my puppet I'm building right now for my stop-motion performance class. Right now, she is only wearing pants. It is to difficult to animate a walk with a skirt. I'm tempted to put a skirt on her anyway for her final look. My friend Sara wants to name her Potato Flower or Sweet Potato. Who knows? Introducing Sweet Potato and her ram Yam!

I will also try to put up my process into making an armature. A lot of books want you to twist the wire, but this weakens the wire. I haven't read one book yet that doesn't suggest this.

Here comes a lot of promises and hopefully results. I want this blog to be active again.

My trip to Prague! Part 1

Around June 2011, I got the chance to spend two weeks in Prague with a group of CalArts students. This was a joint mini exchange with FAMU (The Film and TV School of the Academy of Performing Arts in Prague). It was an amazing experience and the first time I was in a foreign country.

Before I went I looked up more information on the whereabouts of Jiri Trnka puppets at this wonderful blog. http://czechproperty.blogspot.com/2009/10/jiri-trnka-filmmaker.html
I never got a chance to see the Trade Fair Palace. (Another reason I need to visit Prague again :D) to make sure that they were there. I talked to Bretislav Pojar and he said most of his puppets and sets were in a private storage somewhere in an unknown place. It was quite disheartening to hear this, but I got to see Mr. Pojar's puppets up close to make up for it. 

Just a week after my school year ended, we headed to Prague. It took about 9 hours on the first flight to Amsterdam and then an hour to Prague. We stayed in FAMU's dormitory.

My FAMU dormitory

The gorgeous view from my window.

I really appreciated my stay there. It was about a 20 minute tram ride away from the main downtown of Prague. FAMU was in a nice historic building...mostly everything in the Czech Republic was in a beautiful building.

We had many lectures on Czech animation. It's amazing how much wonderful animation comes from this country. Here are a couple of animations that are available on youtube that really impressed me.

A Drop Too Much by Bretislav Pojar

Revolution in Toyland by Hermina Tyrlova

Duel by Pavel Koutsky

The Vanished World of Gloves by Jiri Barta  

We also had a chance to visit Jan Svankmajer's Studio Knoviz. Sadly, he wasn't there, but we got the chance to sneak around his studio. His studio kind of startled me because it was more like a mysterious attic with lost relics from his film. There were dark nooks and crannies that were illuminated by the natural light. If you watched his films before, his studio's look fits perfectly.

Studio Knoviz in the countryside.

Production notes for Surviving Life

Cut-out animation from Surviving Life

The flatbed where he edits his films.

I believe this is from his movie Faust.

The actual Little Otik!

I think these are mouth replacements for Little Otik. He's getting hungry.

His ceramic work

The two characters from Punch and Judy.

A plethora of film canisters!

Fall 2011

I am now in my final year at CalArts. It seems like an eternity has passed since I was a first year at CalArts. Here is my Fall semester schedule:

FC315A	Life Drawing for Animation	Sechrist, Rad	1.50	T 7:30pm to 10:30pm	PALACE
FC360	Visual Development	Keene, Lisa	2.00	F 4pm to 7pm	A108
FC400A01	2D Character Animation IV	Haycock, Randy	3.00	M 7pm to 10pm	A116
FC455A02	Advanced Story	Favela, Eric	1.50	W 7pm to 10pm	LANGLY
FC465A02	Professional Preparation IV	Ventura, Valerio	1.50	Th 2pm to 4pm	A109
FE303	Alternative Stop Motion Techniques	Dyer, Eric	2.00	Th 9am to 12 Noon	BB#4
FE360	Intermediate Concepts of Stop Motion	Brooker, Musa	3.00	Th 7pm to 10pm	BB#4
FE361	Art of Animation in Czech Tradition	Furniss/Hobaica	2.00	0am to 0am
TP030-08	Sewing Basics	Potter, Karen	2.00	F 10:10am to 12 Noon	COSTUM
TP607	History of Fashion	Mickelsen, David	2.00	M 9:40am to 12 Noon	D309

As you can see, I added a lot more stop-motion classes this time around. It's hard for me to grasp my change in focus since I came in wanting to do more 2-D animation. I still love 2-D, but I don't think it is my strongest asset. I'm not the best draftsman. I like putting in holds more than I should while animating.

I feel like every year I change my emphasis a little bit. I did more CG last year and tried modeling in Maya for the first time. It's interesting but I miss feeling a real object. I will still keep animating in Maya for practice.

I'm finishing my blog post about my trip to Prague over the summer. I got to meet some amazing stop-motion studios and individuals there. It might be the reason why I changed.

Hi there blog

I'm sorry I haven't been updating my blog. I look at the amount of posts, and I only posted 3 times last year? I feel very shameful about that. I decided to post a little bit about my third year film Preservation. I'm very fortunate this year to receive advice from Thurop Van Orman and Phil Rynda this year. A lot of elements from my film has changed for the better because of their advice.

The first two images are boards from my film.  I'll leave it at that since the film will be online at the end of May (crossing fingers). The third image is the first color script for my film. I'm trying to finish the emotion and location changes of my script this weekend. I want my backgrounds to be done in watercolors this year. This digital work is going to help me with my color choices. Hopefully, all of this isn't too ambitious...hehehe.....0.o

And now I want to end on a random note for this post. I usually have the most fun in my non-major classes. I think it's because my focus is on learning and not the pressure of being exceptional in it. I am certainly a very bad puppeteer lol.

3rd year at CalArts

 I had wonderful time at July Films over the summer. I feel more confident when I animate, and I now know I need to take the time to do good animation. Thank you Mike ^^

Here's my schedule for this year....and yet again I have a full load. I added more CG this year. I remember when I first entered CalArts and vowed to shun against CG. It's amazing how one person's point of view can change over time. Animating in CG is getting easier. A better rig makes the animator's life a whole lot easier. I still have a love for old film techniques and paper animation, but reality is starting to hit me. CG is here to stay while, older techniques like film stock is dying out. This became apparent when a film stock I was using for my Optical printing class suddenly became discontinued. I still have in my possession two 16mm B/W reversal 500T.
http://blog.sfmoma.org/2010/05/celluloid-lovers-alert-save-plus-x-2/
Also standard definition television is gone, so no more NTSC format. My film will be in HD. It was sort of nostalgic to use a tv monitor to check the image and routing wires to patchbay. However, we still use a lunchbox to shoot pencil tests.

I still have a passion for 2-D and stop-motion. I will use these as my main tools for film making, but I need to keep my options open.

FC202A01	CG Foundation II	Bac, Andrew	1.50	M 9am to 12 Noon	A109
FC300A02	2D Character Animaton III	Wright, Scott	2.00	T 9am to 12 Noon	E58
FC301A02	CG Character Animation III	Kelly, Morgan	2.00	M 7pm to 10pm	A108
FC304A	Digital Methods III	Rude, Bill	1.00	F 1pm to 4pm	A108
FC311A01	Advanced Painting	Hormozi, Marjan	1.00	Th 9am to 12 Noon	A221G
FC326A05	Film Workshop III/IV	Van Orman, Thurop	4.00	W 7pm to 10pm	D206
FC430A	Advanced Character Design	Rynda, Phil	1.50	Th 7pm to 10pm	A217
FC460A	Directing for Animators	Petkov, Rumen	2.00	F 9:30am to 12:30pm	D206
FE117	Lighting and Camera for Exp Anim	Sun, Helder	2.00	T 4pm to 7pm	BB#4
FE410	After Effects: Compositing	Emery, Myron	2.00	T 1pm to 4pm	F105
		Total Units	19.00

I have been pondering over what my third film should be. I know I have to start it earlier this year....way earlier. My goal this year is to add more texture and atmosphere to my film. I think my last year film was to flat and I relied to much on After Effects and Photoshop.

Hooray for the start of a new school year and a new opportunity to do something interesting.

Urban Jacaranda

I'm in California for an internship this summer! It's at a little independent studio called July Films, such a beautiful studio. I feel like I can take the time to animate and redo things until it is right. I'm really grateful to get a chance to intern here.

I'm not accustomed to such a variety of plants and trees. In Colorado, I only see maples, aspens, and cottonwood trees.  I went through Pasadena to get to the nearest bookstore and went through neighborhoods filled with jacaranda trees. It was an interesting contrast to see the fragile purple petals scattered across an urban landscape of telephone poles. Wouldn't it just be creepy, in a post-apocalyptic world, these trees still bloom among an urban rubble? My writing is too dramatic lol.

I've been trying to write a post about my second year at CalArts. I keep re-reading it, and the entry sounds really moody. I felt like it was a tornado of a year. This was partially my fault for taking so many classes during the second semester. Oh well, here's to self-discovery and experimentation in the third year!

Here I am at my first day interning. I am trying to animate a traveler's palm. :D

My 2nd Year film

The Conductor from Ellen Yu on Vimeo.

I told you I was going to make a guinea pig conducting film lol.

Happy New Year!

I hope 2010 is a better year full of conducting guinea pigs!